The end of year exam will be on Monday 3 June. It is an hour and a half exam and will start at 9.00. The exam will take place in either 1Q8 or 1E1. You will receive an email telling you where you will sit the exam.
The aim of this exam is to help further develop your ability to respond to a specific extract. A preparation for the commentary.
There will be two questions. One on Othello and one on Gatsby. You must answer both questions. There will be equal marks for both questions.
Each question will have an extract from the relevant text and you should use this extract to answer your question. You may refer generally to other parts of the text in your answer.
You should spend about 10 - 15 minutes reading and planning each question before you write the answer.
You should spend between 5 - 10 minutes editing and correcting your answer and spend between 35 - 45 minutes writing your answer.
Your answers should have an introduction, main analytical paragraphs and concluding comment. The majority of marks will be gained in the main analytical paragraphs you write.
Just click on the course you want in the right hand column 'Click Your Course Here' to find support materials. If you are looking for older posts look down the Blog Archive or click on Older Posts at the end of the blog page. If you need a paper copy of any post then come and see me.
Thursday, 23 May 2013
Wednesday, 22 May 2013
A2 ENGLISH LITERATURE - SECTION B - SAMPLE ESSAY QUESTIONS
In case you missed these sample questions here they are. I think question 1 and 3 are the most obvious questions for The Rivals and the Songs.
1 'The urge to control is in all of us: it drives our lives.'
In the light of this view, discuss ways in which writers represent the desire for control. In your answer, compare one drama text and one poetry text.
2 'Men embody lust: women exploit lust.'
In the light of this view, discuss the uses which writers make of sexuality. In your answer, compare one drama text and one poetry text.
3 'Through nature one finds peace.' In the light of this view, consider the uses which writers make of the natural world. In your answer, compare one drama text and one poetry text.
4 'Deception is the spice of life.'
In the light of this view, consider ways in which writers explore deception. In your answer, compare one drama text and one poetry text.
5 'The wages of sin is death.'
In the light of this view, consider ways in which writers explore the sense of death. In your answer, compare one drama text and one poetry text.
6 'Mockery brings wisdom.'
In the light of this view, discuss the uses which writers make use of humour. In your answer, compare one drama text and one poetry text.
1 'The urge to control is in all of us: it drives our lives.'
In the light of this view, discuss ways in which writers represent the desire for control. In your answer, compare one drama text and one poetry text.
2 'Men embody lust: women exploit lust.'
In the light of this view, discuss the uses which writers make of sexuality. In your answer, compare one drama text and one poetry text.
3 'Through nature one finds peace.' In the light of this view, consider the uses which writers make of the natural world. In your answer, compare one drama text and one poetry text.
4 'Deception is the spice of life.'
In the light of this view, consider ways in which writers explore deception. In your answer, compare one drama text and one poetry text.
5 'The wages of sin is death.'
In the light of this view, consider ways in which writers explore the sense of death. In your answer, compare one drama text and one poetry text.
6 'Mockery brings wisdom.'
In the light of this view, discuss the uses which writers make use of humour. In your answer, compare one drama text and one poetry text.
Tuesday, 21 May 2013
IB ENG SL YEAR 2 - LIST OF TEXTS AND LINKS TO AMAZON
Here is a complete list of the texts we will be studying next year. You should read all these texts over the summer. It will be an absolutely packed year compared to this year. So it is vital that we start the year ready to go. We will be starting the year with If This is a Man and A Streetcar Named Desire.
Please make every effort to buy the editions listed below as these are the editions I will be teaching from.
Click here to a link about student reading
If This is a Man - Primo Levi - Works in Translation
Click here for a link to amazon to buy this edition
This edition contains two texts. You only need to read If This is a Man
Selected Poems - Anna Akhmatova - Works in Translation
Click here for a link to amazon to buy this edition
The edition you buy may have a cover of a woman reclining in a chair. That will be fine.
A Streetcar Named Desire - Tennessee Williams - Genre
Click here for a link to amazon to buy this edition
The Love of the Nightingale - Timberlake Wertenbaker - Genre
Click here for a link to amazon to buy this edition
This edition contains a number of plays. You only need to read The Love of the Nightingale
Translations - Brian Friel - Genre
Click here for a link to amazon to buy this edition
A2 ENGLISH LITERATURE - PRE 1800 DRAMA AND POETRY TIMED ESSAY FEEDBACK
Here is a link to the ocr website where they have examples of essays from the previous set of texts. As part of your revision you should read a selection of this material. Look specifically at the structures of the essays - introductions, main body and conclusions. As well as consider the structure of the paragraphs.
Click here for the link
This is a synoptic question. It's a bit of a soup or a juggling act. A synoptic question is one where you are expected to draw on every element of the entire A level. They are testing your ability to analyse language closely, compare texts, refer to contextual features - from biographical to ideological details as well as respond to theoretical perspectives.
Introductions:
An analytical paragraph must include:
Click here for the link
This is a synoptic question. It's a bit of a soup or a juggling act. A synoptic question is one where you are expected to draw on every element of the entire A level. They are testing your ability to analyse language closely, compare texts, refer to contextual features - from biographical to ideological details as well as respond to theoretical perspectives.
Introductions:
- Must define the key words in the title
- and explain clearly and simply what you mean by the asserting statement and the question that follows
- should contain a summary of the two two texts in relation to the topic in the title
- should make general comparative and or contrasting points
- should comment on contexts - the writers and the society texts were written in
- should comment on genres - drama and poetry -
- be as detailed and specific as you can
- should comment on key dramatic and poetic techniques used by both writers
- make a key comparative and or contrasting statement - to begin with
- make it clear, simple and concise
- avoid descriptive or lengthy reflective statements
- avoid re-telling the story or plot of the play
- draw on close, detailed, relevant ideas in the text discussed
- comment on dramatic and poetic techniques on the quotations used in your essay
- write fairly short, distinct and detailed pargraphs rther than long and featureless paragraphs
An analytical paragraph must include:
- a main comparative assertion
- short and concise quotations
- identify a range of dramatic / poetic / language features
- the effects on other characters, the audience - both 18th century and contemporary
- contextual references
- the culture and society the texts were written in
- this may include other voices and theoretical perspectives
- In Blake love is a driving force bringing together natural, animal, human, cosmic and spiritual existence together as a unified state of being.
- You must actually address the arguments presented in the question. You can agree completely or you can disagree completely. Or you can support the proposition up to a point.
- In Little Girl Lost and Little Girl Found Lyca's parents are transformed. At first their love is strong but limited. It is dominated by fear. However in Little Girl Found the parents have become liberated. Their love has become interwoven with the natural world. In The Blossom, love is presented as open, direct, physical, natural and positive. In The Sick Rose - The Blossom's linked poem - love, is presented as destructive. It is associated with disease and secrecy.
- Use a strong academic and formal register throughout your essay
- Embed comparisons throughout the essay
IB ENG SL YR 1 - ASSESSMENT SUMMARY AND YEAR 2 COURSE OUTLINE AND ASSESSMENT SUMMARY
IB ENGLISH STANDARD
YR 2
YEAR 2 COURSES AND TEXTS
Below are two tables outlinning the assessment for year 1 and a summary of the year 2 course, titles of texts for the standard English course.
YEAR 1 ASSESSMENT SUMMARY
YEAR 2 COURSES AND TEXTS
YEAR 1 ASSESSMENT SUMMARY
IOP – Presentation - 15%
of the final English grade
IOC – Commentary - 15% of
the final English grade
30% of the final English grade is covered in the first year of the
course
YEAR 2 COURSE AND
ASSESSMENT SUMMARY
GENRE – DRAMA
|
WORKS IN
TRANSLATION
|
GUIDED LITERARY ANALYSIS
|
|
Texts
|
Translations –
Brian Friel – Faber
Streetcar Named
Desire – Tennessee Williams
The Love of the
Nightingale – Timberlake Wertenbaker
|
If This is a Man – Primo
Levi
Selected Poems –
Ana Akhmatova
|
Unseen extract of prose or poetry
|
Assessment
|
Paper 2 Exam
|
Coursework
|
Paper 1 Exam
|
Assessment details
|
Answer 1 from 3 questions on DRAMA. Compare and contrast
the ways in which at least two texts address a key theme or dramatic
technique. 1 and a half hour exam. 25%
of the final English grade
|
·
Interactive oral discussion
·
Reflective statement
·
Supervised writing
·
1500 word essay
25% of the
final English grade
|
Answer 2 questions on one unseen text
1 and a half hour exam 20% of the final grade
|
Runs all year to exam in May
|
Runs to coursework deadline in March
|
Runs from coursework deadline in March to the exam in May
|
A2 LL - RECASTING FORMATS
A LEVEL ENGLISH
LANGUAGE AND LITERATURE
UNIT 3 TEXT PRODUCTION
RECASTING FORMATS GUIDE
UNIT 3 TEXT PRODUCTION
RECASTING FORMATS GUIDE
Below is a table that includes a complete list of formats
from the board. I have tried to be as specific and detailed as possible.
However it is difficult being prescriptive about such an exercise.
Over 90% of content must come from the source material.
Less than 10% should be made up material. New information must only be used to adapt
the source text to the recast format, purpose, register and task.
FORMAT
|
KEY FEATURES
|
AUDIENCE PURPOSE REGISTER
|
|
Letter
|
·
Variety of syntax / grammar – short simple, compound and complex/ declarative,
interrogative, exclamatory, imperative
·
Lexis
should link to register
·
Avoid literary features except for making
very powerful points. Use rhetoric
if persuasive
|
·
Expect personal
/formal register
·
Could be
persuasive / informative /entertaining / instructional purpose
·
Could be
general / specific group / named audience
|
|
Article –
|
·
Formal – full
range of syntax, simple, compound,
complex – for broadsheet – simple, compound sentences for tabloid – both
dominated by declaratives
·
Lexis
appropriate to format tabloid / broadsheet – inclusive lexis
·
May include
interview, short quotes from experts
|
·
Will be
generally formal / tabloid / journalese register
·
Will be
informative / entertaining / could be persuasive purpose
·
Could be
general adult, student, specific audience
|
|
Encyclopaedia Entry
|
·
Define term
·
Dominated by
declaratives
·
Expect specific
readership e.g. children
·
Lexis
inclusive – technical terms explained
·
Grammar /
syntax – formal
|
·
Will be formal
register
·
Will be
informative / entertaining / instructional purpose
·
Expect a general / specific audience
|
|
Radio Script
|
Radio
scripts are not transcripts of spontaneous speech. They are highly crafted
texts. Therefore I would not expect to find elements of spontaneous speech in
them.
There
will be a presenter- used to introduce the main topic of the ‘article’ or
slot. And may also introduce a second guest speaker.
The
simplest structure to me seems to be a presenter acting as a questioner –
these should be short open questions and a speaker giving detailed full
answers. Most of the content will be incorporated in these answers.
·
Probably two contrasting
speakers - variety
·
Syntax probably
dominated by simple declarative / interrogative sentences but not exclusively
·
Lexis will
be simple and inclusive – define technical terms used
·
Probably
present a thesis and counter argument
·
Will be
conceptual – visual references will be minimal but concisely explained
|
·
Will be generally formal / tabloid /journalese
register
·
Will be
informative / entertaining / could be persuasive
·
Expect be
general adult, student, specific audience
|
|
TV Script
|
·
Probably two
contrasting speakers - variety
·
Syntax probably
dominated by simple declaratives / interrogatives
·
Lexis will
be simple and inclusive - define technical terms used
·
Probably
present a thesis and counter argument
·
Expect mixture
of conceptual / visual references
·
Script will
include concise visual aural details
·
Maybe used to
introduce a topic
|
·
Will be
generally formal register / tabloid /journalese
·
Expect an informative
/ entertaining / persuasive purpose
·
Will be general
adult, student, specific audience
|
|
Editorial
|
·
Putting forward
the attitudes, beliefs of the publication – newspaper / magazine – specific
or general
·
Will include an
argument and counter argument
·
Will use
rhetorical devices
·
Probably a call
to action
|
·
Probably persuasive
/ opinionated, subjective purpose
·
Probably a
general / specific audience
·
Formal / mixed register
|
|
Diary
|
·
Personal
writing / extended diary may be journal
·
Probably simple
lexis, may contain non standard grammar,
|
·
Informal
register – may use short hand
·
Audience is
personal
·
Probably to
inform / entertain / advise /instruct / reflection purpose
|
|
Speech
|
·
Direct address
·
Short simple
sentences
·
May use imagery
·
Probably a
range of rhetorical devices
|
·
Informative /
persuasive / entertaining
·
Specific /
general audience
·
Generally
formal register
|
|
Leaflet
|
·
Will use
headings and sub-headings
·
Probably will
use a variety of narratives including case study, statistics, bullet points,
Q&A, anecdote
·
Probably use
persuasive writing and include a number of rhetorical features
|
·
Maybe general /
specific audience
·
Probably
highlight a specific problem or area of concern
·
Formal register
used, inclusive writing
|
|
Guide
|
·
|
·
|
|
Report
|
·
Factual,
structured, logical and rational writing
·
Will use
headings and subheadings
·
Usually
addresses specific problem, offers findings and possible solutions,
·
may call for
specific action
|
·
Formal register
|
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