Showing posts with label AS English Language and Literature. Show all posts
Showing posts with label AS English Language and Literature. Show all posts

Friday, 26 June 2015

AS A2 LL - READING POETRY - SOME KEY QUESTIONS

Reading Poetry
Some Key Questions

Below are some key questions and prompt statements to help you reflect and analyse each poem we study.
·         Comment on the poetic voice of the poem.

 There maybe more than one voice – different voices may offer different perspectives on the themes raised. For example the voice maybe male, female, young, old, subjective, objective, detached, engaged. Is the voice angry, sad, joyful etc

·         What is the main subject of the poem?

The title of the poem may give you a clue to the poem’s subject. Make a note of the subject and consider how the subject is being presented. Be prepared for the presentation of the subject to change and develop through the poem. The subject maybe a character, an object, a location, etc

·         What happens in the poem?

Sometimes poems tell stories, they are narrative poems. And sometimes there are developments and time shifts that occur. Often poets include autobiography in their poetry and write about the past – sometimes using the present tense. Action, movement and stasis are important to consider.

·         What are the main themes or issues raised in the poem?

Although the subject of a poem maybe physical and material a poem will also engage with broader and more abstract set of concepts. Themes may occur explicitly or implicitly. Issues are usually clearly defined where the poet presents a conscious position on a subject.

·         Comment on the setting and context[s] of the poem.

An important element in poetry can be the poem’s setting. The immediate setting is the physical landscape that frames the subject of the poem. Poets use setting to develop the themes, subject and meaning of a poem. Contexts are broader and more abstract and may link to political, cultural, social and historical concerns. Contexts often involve the poet and the personal and societal

·         Comment on the structure and form of the poem.

Poems are usually highly organized texts. A poet will have worked and reworked their material to suit their purposes and to engage the reader.  The physical shape of the poem and the way it is presented on the page will help convey the poem’s meaning.

·         Response to the poem.

To consider all the above questions carefully and reflectively will help you develop an informed, sensitive, thoughtful, imaginative, analytical response to these poems. In turn this will help you enormously to write a good 1000 word essay.

What key language and literary features can you identify and what effect do these features have on a reader?

  • What genre does the poem draw from? Consider whether the poem is largely descriptive, narrative, monologue, dialogue, abstract, physical, etc

  • Generally poets use two different techniques to communicate to their readers. One is imagery – where poets appeal to the imaginations of their readers. For example; metaphor, simile, symbolism and personification. The other technique is phonology – where a poet uses sound to appeal to their readers. For example; alliteration, assonance, rhyme, onomatopoeia and repetition etc. Another unique feature of poetry is the use of form. At its most basic consider the shape of the poem on the page. Is there any specific pattern to them poem? Is the poem a ballad, a sonnet or lyric poem? Is it written in free verse? Consider such things as line length – iambic pentameters and tetrameters are two line structures. But also consider stanzas.

·         You should also consider such features as – grammar – the structures that exist within a sentence. For example identifying verbs, nouns and adjectives. Lexis – or vocabulary. Consider such things as simple or complex, emotive or neutral words. Also the denotations and connotations of words. Syntax – sentence structure. Consider such things as simple, compound or complex sentences. As well as declarative, interrogative, instructional and exclamatory sentences.  Rhetorical devices – are techniques designed to persuade a reader to a specific point of view. These techniques include repetition, comparative and contrasting pairs, lists and lists of three and direct address, etc. Register – is the relationship the poetic voice adopts towards the reader. This is established through using either formal or informal lexis.

 

  • Identifying features in a poem will not enable you to get good grades in your assessments. It is vital that you link the features of a poem to the effects on you and a generalised reader. You may also be required to link the work you are studying to specific contextual references – these may be biographical or cultural. You may also be expected to refer to theoretical perspectives such as Marxism or Feminism.

 

One  2500 word essay comparing two poets on a comparative theme

Wednesday, 24 June 2015

AS A2 ENGLISH LANGUAGE AND LITERATURE - SOME SUMMER ACTIVITIES

If you are intending to continue into the second year of A Level English Language and Literature you might consider the following activities
Over the summer read and annotate the poems given out already, using the questions in the handout. If you don't have the anthology here are some links to relevant poems you may be studying next year.

Click here for a link to Daddy by Sylvia Plath
Click here for a link to London by William Blake
Click here for a link to Digging by Seamus Heaney
Click here for a link to Composed Upon Westminster Bridge by William Wordsworth
Click here for a link to Stopping by Woods on a Snowy Evening by Robert Frost
Click here for a link to Because I could not stop for death by Emily Dickinson

And click here for a list of key questions to use when exploring poems.

Over the summer you should read regularly and widely a range of non fiction texts such as good quality weekend broadsheet and tabloid newspapers. You should concentrate on the supplements and commentaries / columnists rather than the news sections.


Consider texts that are autobiographical, biographical, travel writing, eye witness, opinion and social / political commentaries.


As you read these newspaper sections consider how the writer addresses audiencepurpose and genre - these are key concepts in the second year. Why not find out what they mean and how they are used in non fiction textsTry and identify the conventions - another key concept in the second year of the course - used to present these different types of writing. And finally identify different language techniques and the effect of these on an audience.


Most importantly - have a great summer and enjoy your reading!

Wednesday, 10 June 2015

AS - A2 LL - CATCH UP AND CLASS PREP

Collect the anthology of poems in my tray in 1D11

  • Read the questions at the back of the anthology
  • Read and annotate Stopping by Woods on a Snowy Evening by Robert Frost
  • Read and annotate Daddy by Sylvia Plath
  • And bring a poem you like and enjoy. Be prepared to share this with the class.
Please bring your anthology and poem to the class for next week.

Wednesday, 6 May 2015

AS LL - GROUP PLANNING TASK

TASK

In small groups prepare one of the SECTION A Analysis questions below.

Write a detailed plan and share it with the other groups in the class

Spies – Michael Frayn

How does Frayn convey a sense of Stephen’s naivety?
Choose two or three extracts to explore in detail


In your answer you should consider:

• Frayn’s language choices
• narrative viewpoint

Spies – Michael Frayn - January 2013


How does Frayn present Keith's father?
Choose two or three extracts to explore in detail

In your answer you should consider:

• Frayn’s language choices
• narrative viewpoint


A Streetcar Named Desire – Tennessee Williams

Explore how Williams presents the relationship between Stella and Blanche.
Choose two or three extracts to explore in detail


In your answer you should consider:

• Williams’s language choices
• dramatic techniques


A Streetcar Named Desire – Tennessee Williams - January 2013

How does Williams present Blanche’s fantasy and delusion?
Choose two or three extracts to explore in detail.
In your answer you should consider:


  • Williams’s language choices
  • dramatic techniques.

AS LL - ANALYSIS QUESTION - SOME BASICS AND TEMPLATE

SECTION A - ANALYSIS TASK - SOME BASICS

Spend 40 minutes on this section

There are 30 marks available for this part of the exam

I suggest you spend 10 - 15 minutes planning, 20 - 25 minutes writing and 5 - 10 minutes reading, editing and correcting your answer

In the analysis question you are being assessed on your ability to - [AO 1] to show you can choose relevant linguistic and literary concepts and terminology to analyse the text.

15 marks

[AO 2] And your ability to show in detail that you understand and can analyse the ways in which form (the novel), structure (the organisation of events for effect), and language (used in narrative - story telling, descriptive language, dialogue and reflective language - Stephen's internal monologues ) are used to create effects / impact.

15 marks

A TEMPLATE ANSWER

Brief introduction - answer the question in summary - no quotations, jot down a list of the key points you are going to explore in detail in the rest of your answer. Make a summary comment about language features and narrative perspective

Write a series of 3 - 5 analytical paragraphs in which you:
  • make an assertion - an important short simple declarative statement that you feel confident in making that is completely relevant to the question

  • use a good quotation - a word or a phrase that contains at least two language features that you feel confident in identifying

  • identify two or three language features - depending on time limits - choose one or two language features in your quotation and

  • comment on the effect of these on a reader - this could include: feeling sympathy for a character, creating emphasis, highlighting conflict and creating atmosphere

    • comment on narrative viewpoint - you don't have to do this for every paragraph but mention it in your introduction and at least two other paragraphs

Finally write a concluding statement - this will be a sentence or two at most. You can summarise the main points of your answer, make an interesting observation or give a final concluding comment.

Tuesday, 28 April 2015

AS LL - FEEDBACK FROM MOCK EXAM

AS ENGLISH LANGUAGE AND LITERATURE
ELLA 1 INTEGRATED ANALYSIS AND TEXT PRODUCTION
MOCK EXAM FEEDBACK

I still have not received mock exam answers from:
Sabrina, Georgia, Brianna, Lloyd, Ibrahim and Amgad.


PRODUCTION TASK

SOME KEY ISSUES

  • Make sure that 90% of your text can be derived from the play
  • Use about 10% of your text adding details to make your text a letter etc.
  • Refer directly to two or three specific episodes from different parts of the text
  • Write clear, straightforward and accurate texts
  • Slip in to the text some American English terms
  • In a question like this there is a temptation to give a rant and just express a variety of emotions. You won't get rewarded for this. Embed your whole answer with obvious and direct relevant references to the text.

A MODEL ANSWER

Imagine that Stella writes to a friend shortly after events at the end of the play. Write this letter, in which Stella explains what has happened with Blanche and reveals her feelings about sending Blanche away.

You should give careful consideration to your language choices and style, which should achieve a sense of Stella's voice.

This was done under timed conditions.

Apartment A
Elysian Fields
Scott Joplin Boulavard
New Orleans

October 1947

Dear Daisy

I've got some awful news. We've had to call doctors and send Blanche - my darling sister - away to a hospital. It's so humiliating for her. I feel guilty because I couldn't help her when she was living at Belle Reve looking after the family, alone. And I couldn't help her while she was staying with us here either. I've really let her down. I feel so helpless.

She's had some kind of breakdown. I think her relationship with Stanley became really difficult. Everytime they were together there was trouble. Like at Blanche's birthday dinner. Stanley was so mad he shouted and started smashing plates against the walls.He was so angry. It was so embarrassing. And he was really cruel. He gave Blanche a coach ticket back to Laurel. Can you believe it? A coach ticket! Have you ever seen Blanche in all your life ever take a coach? really!

But the worst of it is that Blanche claims that Stanley raped her the night Stanley Junior was born. I don't know what to think! She has lied so much since she has been here. She said she'd met Shep Huntleigh last year. She thinks she used to go out with him. She said she'd left work because of ill health. But it turns out she got caught up in a scandal involving a young student. She was fired. She claimed she doesn't drink. But she's been drinking all sorts all summer.

It's been really difficult also dealing with Blanche's fantasy life. Stanley is so impatient and intolerant of her. I think she said something once about Stanley being like an animal and he's not forgiven her. In fact it seems like he has been taking revenge on her ever since and that was months ago.

On top of all this, the man we all thought was going to marry Blanche, didn't turn up for the birthday celebration and has completely broken it off with her. Stanley told him about her drinking and about the scandal with the boy at school. And he wants nothing to do with her anymore.

I feel so awful about all this but I've got no one I can share any of this with properly. The woman upstairs is okay but she does not really understand.

Anyway I hope you don't mind me going on like this

with love

Stella

FOLLOW UP TASKS

  • Re-read the model answer above and identify the different scenes and episodes referred to above
  • Have a go at writing other production questions posted elsewhere on this blog under timed conditions
  • Read through the play and identify about five or six key episodes - between a side or two sides of writing
  • Click here for a link to some popular American terms and consider how you migh use them to capture the voice of the characters in the play

ANALYSIS TASK

SOME KEY ISSUES

  • Write a series of analytical paragraphs. Make a statement, support this statement with a relevant short quotation, identify key language features within the quotation and comment on the effect on a reader / audience
  • To analyse a quotation you must identify language features within the quote and comment on the effect of the language feature on the reader / audience
  • A good quotation is short - a word or a phrase. A sentence is too long. A good quotation has within it language features that you can confidently identify and comment on the effect on a reader or audience.
  • Language features you should be able to identify include
    • Syntax - declarative, interogative, imperative, exclamative
    • Grammar - verbs, nouns, adjectives
    • Lexis - low / high frequency, connotations / denotations
    • Register - formal / informal
    • Imagery - simile, metaphor, personification, pathetic fallacy, symbolism
    • Phonology - alliteration, onomatopoeia, assonance
    • Rhetoric - direct address, lists of three, comparative pairs, emotive lexis
  • Make sure you make clear reference to the narrator's perspective. Consider in what ways the narrator is biased and subjective. The narrator in Spies is interesting because we read the older Stephen's voice and the younger Stephen's voice. The younger narrator is full of ignorance, misunderstanding, partial knowledge. He wants to do the right thing, is completely loyal, law abiding, intelligent, highly imaginative, brave and innocent. 

MODEL ANSWER

This was not written under timed conditions. It is about a third longer than what you would be expected to write in the exam.

How does Frayn present the relationship between Stephen and Keith in Chapters 2 and 3 of the novel?

In your answer you should consider:
  • Frayn's language choices
  • narrative viewpoint

The relationship between Keith and Stephen is a very close one. Both of them are dependent upon each other. However there are stresses and tensions in the friendship and pressures from outside that ultimately destroy it by the end of the novel. We see this relationship mostly through the youthful Stephen's narrative voice. Therefore from this narrative perspective we see the friendship as playful and innocent.

I think the friendship between Stephen and Keith was started and encouraged by Mrs Hayward. She does this to keep Keith occupied through the long summer holiday. So that she can look after Uncle Peter hiding in the Barns. Normally I think these two families or son's would not get on well together. Not only are the Wheatley's foreign, they are also German, and worse still, they are Jewish. Anti-Semitism was a strong feature of middle class British society in the 30's and 40's. They are so completely different. Not only are they a different class but the Hayward's are really snobs. Stephen is unaware of the differences between the two families. This is because his narrative point of view is from a child's perspective. 

But Mrs. Hayward treats Stephen well and often he's invited to tea. This is a way of gaining Stephen's loyalty to her and encouraging the friendship between Stephen and Keith. He thinks, 'what he loved most at Keith's house was being invited to tea.' The emotive lexis 'loved' is powerful and coupled with the superlative 'most' creates a strong emotional bond between Stephen and the Hayward's. He loves their home, their life style and Keith. But Stephen is being manipulated by adult's and Keith right from the beginning. He can't really see this but as adult readers our perspective is different and perhaps more balanced.

Stephen feels gratitude at being in the presence of this family. He feels thankful for their hospitality and attention. After tea he says, ' 'Thank you for having me. Thank you, thank you.' The repetition of this exclamation is used to emphasise the strength of Stephen's feelings of adoration to this family. It's almost as if the Hayward's are royalty compared to Stephen and the others that live in The Close. Stephen's unquestioning devotion to them before the novel begins shows his limited perspective on the relationship and the events of the novel. 

This feeling of the Hayward's superiority over Stephen's inferiority is an important element in their friendship. Keith is the dominant leader and Stephen is the follower or disciple. As they begin their new project of discovering evidence that Keith's mother is a German spy, Stephen thinks, ' I humbly wait for Keith to announce what we're to think and what we're to do.' The adverb 'humbly' clearly shows Stephen's weakness and lower status then Keith. The collective pronoun ' we're' repeated twice is used to emphasise Stephen and Keith's unity of thought and action. Again Stephen cannot see any difference in class between them. But the reader realises that Stephen defers completely to Keith's thoughts and actions.

However as the boys begin their investigation of Mrs Hayward's room in chapter 3, we can see differences between them. Keith is presented as immoral and is happy to explore his mother's private things. Where as Stephen is moral and respectful. He says to Keith as they look at her diary, 'But if it's something private...., I plead.' The adjective 'private' is used powerfully here to emphasise the importance of their mission. It's also used to show that they are breaking social rules and conventions. And the verb 'plead' is used to show Stephen's timidity, his deference to authority but also his loyalty to the woman who has treated him so well. Perhaps it shows a childlike and immature response to an awkward and uncomfortable situation.

But this power relationship is really important to its survival. Keith really thrives on Stephen's weakness and submission. We can see this as they investigate the room.
'He can see that my courage is beginning to falter again...' The noun 'courage' is associated with bravery and heroic action. This is something Stephen aspires to but is rarely able to attain. But it is a quality expected from him in this mission from Keith. The verb 'falter' describes Stephen's weakness. The adverb 'again' tells readers this is not the first time Stephen has acted in a cowardly way before Keith. It is this weakness in Stephen that makes Keith feel strong about himself and able to exert power and control over Stephen.

So at first as we read the novel we see an innocent and playful relationship. Then we realize there are tensions and differences - Stephen's desire to be heroic and differences in their characters. However by the end of the novel we realize that their friendship has been manipulated and cultivated by Mrs. Hayward to help her care for Uncle Peter.


FOLLOW UP TASKS

Have a go at planning and or writing other analysis questions posted elsewhere on this blog under timed conditions
  • Read and study carefully through the novel and identify about five or six key episodes - between a side or two sides of writing each
    •  that you could use to answer lots of analytical questions
    • identify language features - see above - and there effects on a reader
  • Find references in the novel to young Stephen to where we see him wanting to do the right thing, is completely loyal, law abiding, intelligent, highly imaginative, brave and innocent. 
  • Find quotations in the novel that reveals the two narrative perspectives - that of the older Stephen and that of the young boy.
  • Below are a few quotations from chapters 2 and 3 that I thought I might use for my answer. What do you think of them? How could they be used?
    • 'But where he longed to be was at Keith's house.'
    • 'You must invite him again another time.'
    • 'I feel more strongly than ever the honour of my association with Keith.'
    • 'I'm immediately excited, because I can see all kinds of interesting new possibilities.....'

Wednesday, 22 April 2015

AS LL STREETCAR OVERALL REVISION

AS ENGLISH LANGUAGE AND LITERATURE
ELLA 1 Integrated Analysis and Text production
STREETCAR NAMED DESIRE REVISION SHEET


Read and re-read the play - actively and critically!

PLOT AND NARRATIVE STRUCTURE

1 May early evening  Blanche’s arrival
2 The following evening  Stanley interrogates Blanche
3 Later the same night   Stanley’s first Poker Night
4 Early next morning  Aftermath of the Poker Night Stanley overhears Blanche and Stella
5 Possibly the next evening Going out. Shaw and the young man
6 That night 2.0 am  After Blanche and Mitch’s first date

7 Mid September afternoon Birthday preparations and the bus ticket
8 About an hour later  Blanche’s birthday party Stella and Stanley go to hospital
9 Later that evening  Blanche alone, after the party Blanche and Mitch . FIRE!
10 A few hours later  Stanley returns, Blanche is alone, drunk, fantasising. Stanley rapes Blanche

11 Some weeks later  This game is seven card stud

MAIN CHARACTERS

• STANLEY
Animal, Bold colours, Light, Red stained package, Bowling jacket, Playing cards

• BLANCHE
Vain, Nervous, Scared of old age, Scared of her past, Scared of Stanley, Hates Stanley, Vulnerable, Judgemental, A snob, Isolated, Poor, Dreamer, Sensitive

• STELLA Realist, Sexual, Stella – peace maker, Stella the carer, Stella in love with Stanley, Stella as witness, Stella – pregnant – mum to be, Contrast to Blance
• MITCH Different, Sensitive, Kind, Suffered, Awkward, self-conscious, In awe of Blanche Answer to Blanche’s prayer, Honest, An answer to prayer, Cruel, hard, hypocritical, Angry

SOME THEMES

• DESIRE: Consider all four main characters – Stanley, Blanche, Stella and Mitch in relation to; Sexual desire, Emotional fulfilment, Physical needs

• DEATH: Consider the character of Blanche in terms of physical death, social death and the way in which death is presented symbolically.

• OLD AND MODERN AMERICA: Belle Reve – a symbol of French aristocratic colonial power. It was probably a plantation worked by slaves represented by Blanche. Elysian Fields – a symbol of modern America, an industrial and manufacturing democracy where workers are poorly educated semi and unskilled labour with some economic and political power represented by Stanley.


DRAMATIC TECHNIQUE

• Abstract ideas > Symbols

Stage Directions
o Details
o Descriptions of place
o Descriptions characters
o Props
o Lighting
o Music / Song
o Sounds
o Non verbal communication

Setting
o New Orleans
o The Quarter
o Elysian Fields
o The Apartment
o Belle Reve

Expressionistic techniques
o Lighting
o Sound effects
o The Jungle & Lurid reflections
o Music

KEY EPISODES


ANALYTICAL QUESTION – essay style
Spend 40 minutes


ASSESSMENT OBJECTIVES 1 – 15 marks & 2 – 15 marks

How has Williams portrayed Stanley’s relationship with Blanche?
In your answer you should consider:
• Williams’s language choices
• narrative viewpoint


PRODUCTION TASK
Spend 50 minutes
ASSESSMENT OBJECTIVES 4 – 30 marks & 1 – 15 marks

Imagine that Stella has written her memoirs of her life in New Orleans and what happened during this summer. Write an extract from these memoirs, in which Stella describes her life with Stanley. Give careful consideration to the language choices, form and style in order to convey a sense of Stella’s voice and point of view.

AS LL - SPIES REVISION OVERVIEW

AS ENGLISH LANGUAGE AND LITERATURE
ELLA 1 INTEGRATED ANALYSIS AND TEXT PRODUCTION
REVISION SPIES – AN OVERVIEW


Read and re-read the play actively and critically

Production question 50 minutes / 45 marks /do first
10/15 minutes plan – 30 minutes write – 5 minutes edit and correct 

Analytical question 40 minutes / 30 marks /do second
5/10 minutes plan – 15/20 minutes write – 5 minutes edit and correct 


PLOT

TITLE
1 Present day – return to childhood home
2 The Close
3 The sitting room and the hideout
4 4 spying journey’s
5 The Box, Barbara and Mrs Hayward
6 Night. The box and the man. Keith interrogates Stephen. Beating on the tramp
7 The thermos
8 Barbara in the lookout smoking and the box
9 The basket. Confrontation with Mr Hayward. Stephen and Peter
10 Stephen and Peter, confrontations with Keith  and parents, night and Peter’s death
11 Present day reflections


CHARACTER

CHARACTER PRIMARY CHARACTERISIC QUOTATION COMMENT  REFERENCE
Keith
 
Mrs Hayward
 
Mr Hayward
 
Barbara Beril
 
Aunty Dee
 
Uncle Peter
 
Stephen’s family    



KEY THEMES

MAIN POINT QUOTATION COMMENT
Childhood

Friendship

Identity

Power

Class 


SETTING

The Close

The Barns

The Haywards house

The tunnel - railway line

The lookout
  
NARRATIVE VOICE

Older Stephen 

Younger Stephen 

WRITING STYLE – use frameworks to analyse questions – grammar, syntax, register, lexis & literary

KEY FEATURES QUOTATIONS COMMENT

Descriptive writing


Reflective writing


Dialogue

Action


SOME KEY EPISODES

pages 44 - 51 - investigating Mrs Hayward's room
pages 115 - 118 - Stephen's midnight walk
pages 145 - 147 - The Thermos
pages 177 - 181 - Mrs Hayward asks Stephen to take the basket to the barns
pages 186 - 190 - Stephen's confrontation with Mr Hayward
   

Friday, 27 March 2015

AS LANGUAGE AND LITERATURE - EASTER WORK

Streetcar questions

AS LANGUAGE AND LITERATURE - Easter work

You need to re-read A Streetcar Named Desire and Spies over the holiday.
You need to add to the notes you've made on the plots, structure, main characters, 
relationships and main themes.

You must do the following pieces of homework. All four pieces should be handed in by Wednesday 15 April. 

The production style question should be done in 50 minutes and the essay style questions done in 40 minutes.

Here are the first 2 questions. I'll add Streetcar questions later. The Spies questions will take you 90 minutes to do. Sit yourself down in a quiet room without any distractions. Make sure you you can work quietly for the whole period of the question or questions you are going to do. Write your answer in one sitting. Hand write your answer carefully. Always leave a wide margin when you write.

Spies Questions

Production style question

Imagine Stephen has returned after Stephen and Keith have discovered the box with the packet of cigarettes inside, at the end of chapter five. And imagine Stephen decides to write a letter to the local chief police inspector informing him of his suspicions about Mrs Hayward. Write Stephen's letter to the local chief police inspector. 

Give careful consideration to the language choices, form and style in order to give a sense of Stephen's voice and the situation he is in.

Essay style question

How is Barbara Berill presented in the novel? And what is her significance in the novel?

In your answer you should consider:
Frayn's language choices and narrative perspective

Note:
'language choices' refers to use of grammar, syntax, register and  lexis. As well as consider writing style such as descriptive, reflective, dialogue and action writing. In Spies 'narrative perspective' refers specifically to the narrator's point of view - that of the young  Stephen Wheatly with his innocence, ignorance, strong sense of loyalty, wanting to do the right thing, sense of duty and misunderstanding of the adult world.





Wednesday, 4 March 2015

AS LL - WORK FOR WEDNESDAY 4 MARCH 1.40 - 3.50

Spies
Chapter 6
 
 
Below are some notes and work to do to prepare for a detailed discussion next week 11 March on chapter 6 and 7 of Spies.
 
Chapter 6 headlines
 
  • Stephen’s midnight walk – the stranger
  • Interrogation with Keith – Stephen humiliated / defeated
  • The tramp and Mrs Hayward
 
 
Read and make brief notes on extracts from the chapter sections listed below.
 
Your notes should consider such things as:
 
  • the presentation of Stephen, Keith and their relationship
  • the presentation of Mrs Hayward
  • writing style - for example descriptive writing and dialogue
  • writing techniques - for example syntax and imagery
  • effects on the reader
  • identify 2 or 3 good quotations from each section
 
113 – 115 ‘What is it that wakes me…’ to ‘I must do it’
  
115 – 118 ‘Between the reflected disc…’ to’ into the booming darkness’
   
118 – 120 ‘The Close as I come running’ to ‘with a heavily darned heel’
  
120 – 125 ‘Keith turns the sock…’ to ‘We hurry forward’
  
125 – 129 ‘All summer afternoons…’ to ‘The last place we‘re sure…’
  
129 – 132 ‘We dawdle about to ‘Neither of us led…’
 
 
Be prepared to discuss this chapter in class next week.
 
Here are some notes for chapter 7. I expect to begin discussing this chapter next week as well.
 
Chapter 7
 
Make notes on the following sections of chapter 7 - one of the shortest chapters in the novel.Consider such things as:
 
  • the presentation of Stephen, Keith, Mrs Hayward and Mr Hayward
  • consider the relationships between Mr and Mrs Hayward, Mr Hayward and Keith, Stephen and Keith and Mrs Hayward and Stephen and Keith  
  • the setting
  • writing style - for example descriptive writing and dialogue - pay attention to the way Mr Hayward speaks
  • writing techniques - for example syntax and imagery - how is tension and suspense created in this chapter
  • effects on the reader
  • identify 2 or 3 good quotations from each section


Aftermath of chapter 6
 
• Relationship between Keith and Stephen has ended

• But events force the two to be connected still. Stephen’s generosity, good nature, belief in the friendship keeps it going.

140-145
 
140 - 142 Stephen alone - speculating
142 - 144 At Keith's house
 
145 – 148 The Thermos
 
145 - 147 Keith punished
147 - 148 Stephen takes action

See you all next week 11 March
 

Tuesday, 3 March 2015

AS LL Notice for Wednesday 4 March 1.40 - 3.50 lesson

AS English Language and Literature Mod 3

Wednesday 4 March 1.40 - 3.50

This lesson has been cancelled. I'll post some questions here later today for you to prepare for next week.

Wednesday, 4 February 2015

AS LL - STREETCAR - EXAMPLE PRODCTION QUESTIONS

There are 45 marks available for this task. You will have 50 minutes to read, plan, write and edit this question in the exam.

You will be assessed under the following AO’s.

AO4 (Marks out of 30)

Demonstrate expertise and creativity in using language appropriately for a variety of purposes and audiences, drawing on insights from linguistic and literary studies

AO1 (Marks out of 15)

Select and apply relevant concepts and approaches from integrated linguistic and literary study, using appropriate terminology and accurate, coherent written expression



1 Imagine that the Doctor in scene 11 has written a report after his first consultation with Blanche. Write an extract from this report in which the doctor writes about Blanche’s state of mind and the events that have lead to this meeting.

Give careful consideration to the language choices, form and style in order to convey a sense of the doctor’s voice and Blanche’s situation.


2 Imagine the meeting between Shep Huntley and Blanche that she describes in scene 4. Write an extract of the dialogue between them where Blanche reveals her situation in Laurel.

Give careful consideration to the language choices, form and style in order to convey a sense of the doctor’s voice and Blanche’s situation.


3 Imagine that Stella has written a diary during the time Blanche has stayed with her and Stanley. Write an extract from her diary describing key events during Blanche’s stay.

Give careful consideration to the language choices, form and style in order to convey a sense of Stella’s voice and her point of view.


4 Imagine that Mitch returns home and talks with his mother before the events of Scene 6, (where he and Blanche reveal their feelings to one another). Write the dialogue between Mitch and his mother, in which Mitch tells his mother about Blanche.

Give careful consideration to your language choices, form and style, in order to convey a sense of Mitch’s voice. You should use dramatic dialogue form.

5 Imagine a conversation between Steve and Eunice after their night out with Stanley and Stella at the end of scene 5. Their dialogue should discuss the relationship between Stanley and Stella and Blanche’s impact on them.

You should write up the dialogue as an extra scene in the play.

Give careful consideration to your language choices, form and style, in order to convey a sense of Mitch’s voice. You should use dramatic dialogue form.

6 Imagine that Blanche writes to Shep Huntleigh after Mitch has left at the end of Scene 9 and before she has had too much to drink. Write this letter, in which she explains her problems and asks Shep to help her.

You should give careful consideration to your language choices and style, which should achieve a sense of Blanche’s voice.


Click here for a link to writing a formal letter

Here are some basic tips for writing a diary - this comes from a website for young people starting out on writing a diary so it may seem a bit odd but it has some good points.

Diaries are great ways to keep track of your past and think about your future. You can make predictions about what will happen and see if they come true, and you can see how you changed over time, and read over memories, having a few laughs. Anyone can write a diary.

Write about how you feel and why you feel that way. You can write about any celebration or disaster that happened that day. Or you can write freely. Put your pen to the page and write whatever is on your mind. Write cool facts, important information, advice, tips, ideas, crafts, recipes, anything you want to keep secret...the list goes on and on.

Describe how it went and do not leave out any detail. If you wanted the day to go better, write how and why. If you have a special grudge against somebody, have no fear in expressing it. Move on to the afternoon, then the evening and finally the night. Always say good night in the end and promise to tell more later.

Click here for a link to writing a script. There is far too much on this site so you should read it selecting relevant information to your purpose.

AS LL - STREETCAR - ANALYSIS QUESTIONS

There are 30 marks available for this task. You have 40 minutes to plan, answer and edit your essay style answer. this question in the exam

These are the two assessment objectives you will be marked on for this task.

AO1 (Marks out of 15)

Select and apply relevant concepts and approaches from integrated linguistic & literary study, using appropriate terminology and accurate, coherent written expression

AO2 (Marks out of 15)

Demonstrate detailed critical understanding in analysing ways in which structure, form and language shape meanings in a range of spoken and written texts

1 Explore how Williams portrays the relationship between Stella and Stanley.
In your answer you should consider:
  • Williams’s language choices
  • dramatic techniques.

2 How does Williams present the relationship between Blanche and Mitch?
In your answer you should consider
  • Williams’s language choices
  • dramatic techniques.

3 How does Williams portray Stanley in Scenes 10 and 11?
In your answer you should consider:
  • Williams’s language choices
  • dramatic techniques.

4 How does Williams present Blanche’s fantasy and delusion?
Choose two or three extracts to explore in detail.
In your answer you should consider:
  • Williams’s language choices
  • dramatic techniques
5 How does Williams present Blanche’s desire?
Choose two or three extracts to explore in detail.
  • Williams’s language choices
  • dramatic techniques.

6 How does Williams present male characters?
Choose two or three extracts to explore in detail.
  • Williams’s language choices
  • dramatic techniques

AS LL EXAM PRODUCTION TASK - BASICS

THE BASICS
·         ELLA 1: 1 hour 30 minutes
·         You are advised to spend 50 minutes on the production task.
·         There are 45 marks for the production task
·         Only clean copies of the text can be used in the exam 

TIMING

TIME
ACTIVITY
10-15
Plan
25-30
Write
10-15
Edit

AUIDENCE AND PURPOSE

Read the question carefully. You will need to consider audience[s], purpose[s] and genre in your answer.

SOME FORMATS

FORMAT
Diary
Letter
Report
Script

NARRATIVE VOICE

 
FEATURE
Spoken / Written
Stanley / Mitch - Use of abbreviations, elision and ellipsis, poor grammar structure, restricted lexis, use of Americanisms – Mitch uses a forced register – lexis and syntax
 
Stella – highly articulate/ calm, rational, plain, down to earth, simple, formal
 
Blanche – extreme/highly emotive/exaggerated language, rhetorical devises, highly articulate
 
Doctor / nurse – Professional, middle class, formal, factual, detached
Register
Formal / Informal
 
Lexis
God damn, honey lamb, honey – dear, I guess, Sure,
 

CONTEXT AND EMBEDDED FEATURES

PLACE NAMES
 
·         SYMBOLS
 
Four Deuces
Bourbon
The Quarter
Elysian Fields
Cathedral
The French Quarter
 
Moth
Dark
Light
The trunk
bowling shirt
The blue piano
The Polka 

ASSESSMENT OBJECTIVES

AO 4 You will need to show creativity in using language appropriately for a variety of purposes and audiences, and show an understanding of different types of writing. (30 marks)

AO 1 You will need to show accuracy and coherence in your written expression. (15 marks)