Thursday, 2 May 2013

AS LL - STREETCAR - DRAMATIC TECHNIQUES

AS ENGLISH LANGUAGE AND LITERATURE
INTEGRATED ANALYSIS AND TEXT PRODUCTION
STREETCAR – DRAMATIC TECHNIQUES

Whether you are writing a production task or the essay task for A Streetcar Named Desire knowing about dramatic techniques is vitally important for writing a good answer in the exam.

Below is a partially filled in table to help you use dramatic techniques. You should consider carefully the comments and purposes for these techniques.

FEATURE
EXAMPLE
COMMENT / PURPOSE

Abstract ideas




Desire Revenge Death Family


Symbols
Blanche: The trunk, the light shade, darkness, alcohol, soft colours, red kimono
Stanley: Red stained package, bowling shirt, playing cards, primary colours, bright pyjamas
Other: THE STREETCAR, THE SEASONS, The Mexican lady, the blue piano


Stage Directions



Details

The young man laughs uncomfortably and stands like a bashful kid. Blanche speaks softly to him.
Adds detail, prepares us for the shocking news of Blanche’s sacking in sc 7, contrasts innocence and experience.
Sc5
Descriptions of place
The exterior of a two storey corner building
Creates a realistic and vivid setting

Descriptions characters
Blanche ‘Her appearance is incongruous to the setting. She is daintily dressed in a white suit…earings of pearl, white gloves and hat…’


Sc 1
Props

Chinese Shade, The trunk – clothes and objects, Poker table, Clothes, candles, radio
Props can be used as symbols. They can emphasise the lack of space.

Lighting

Use of light and dark / truth and ignorance / exposure and dissembling


Music / Song

The music from the Four Deuces is slow and blue. / Paper Moon – song /


The Polka
Used to create a realistic setting and the song picks up an important theme of appearance and reality
See expressionism below
Sc 5
Sc 6
Sounds
Cats – 130 /Trains - 163 / street sellers – Mexican woman 205 tamale man – 175, vendor – 116,
The public and the private
Sc 4
Sc
Non verbal communication

Sc 3 She returns his look without flinching


Setting



New Orleans




The Quarter

The Negro Woman cackles hysterically, swaying
Sc 5 – p172 enter young man

Elysian Fields




The Apartment




Belle Reve

Only referred to ‘bunch of old papers’ ‘the place with the white pillars
= beautiful dream

Expressionistic



FEATURE
EXAMPLE
COMMENT
REF





Lighting

The surrounding areas dim out as the interior is lighted
Focus of attention, transparency thin barriers broken
Sc 1
Sound effects
Inside Blanche’s head inhuman voices

Sc 10 213
The Jungle & Lurid reflections

Inside Blanche’s head
Sounds and sight
Sc 10 213
Music

Inside Blanche’s head The polka tune starts up again….
Polka – European formal dance music of the upper classes 19th century – contrast to the blues music of current time
Sc 9

Expressionistic drama

Time and locations can be compressed. In this play at key moments in the drama we experience what is going on inside Blanche's head. It is as if we are looking at a dream sequence.

Same setting – lights used to highlight different sections of the set. Outside the apartment, kitchen / bedroom creates a transparent set – where everyone can see what everyone is doing this supports the script – Eunice and Steve scene 5, the Mexican Woman – scene 9 the newspaper boy - scene 5, mime with prostitute and drunk scene Expressionistic scene 10 103